Jane Turton

Production’s coming home: The challenges arising from TV's post-Covid boom

From left: Brandon Riegg, Ralph Lee, Lorraine Heggessey, Sanjay Singhal and Jane Turton (credit: Richard Kendal)

Demand was “greater than ever” but “there is a skills shortage”, costs were rising by at least 10% per year and there had been no increase in tariffs, was All3Media CEO Jane Turton’s sober assessment of the state of TV production in the UK. 

The big question for BBC Studios CEO of production Ralph Lee was whether the rising costs and wage bills were a long-term inflationary trend or a short-term effect of the pandemic and of “still [being] in the middle of trying to get the shows delivered”. 

RTS Digital Convention: Culture shock

Cécile Frot-Coutaz, head of YouTube, EMEA, has urged broadcasters to form more partnerships with the Google-­owned platform, which this summer was revealed to be the third most-watched video service in the UK after the BBC and ITV.

Speaking at the RTS Digital Convention, the former Fremantle CEO emphasised that her company had plenty of evidence to show that legacy platforms seeking young audiences would be smart to cement their ties with the video-sharing platform.

Making the most of YouTube’s collaborative culture

She joined YouTube in 2018 from global production giant Fremantle, where as CEO she oversaw international hits like the Idol franchise and X Factor.     

“It’s very different to working in TV in a vast number of ways…YouTube speaks a different language…The first thing that hits you are the acronyms…  

“What strikes most people when they come in from outside is how collaborative the culture is.   

Jane Turton in conversation with Cecile Frot-Coutaz | RTS Digital Convention 2020

Jane Turton, CEO of All3Media, joins Cecile Frot-Coutaz, Head of YouTube, EMEA, in conversation as part of the RTS Digital Convention 2020.

Cecile and Jane discuss the differences in culture between tech companies and the more traditional production sector, the next generation of creatives, capturing audiences on tech platforms, and the challenges of keeping YouTube a safe space.

Jane Turton discusses her new role as Chair of the RTS and her love of television

From her first days working in television as a founder member of Meridian, the South of England regional ITV company, Jane Turton knew that she’d landed in exactly the right place professionally.

“I’ve always loved being in TV. It’s full of interesting people,” she says. “TV is always exciting. The product – if we’re allowed to call it that – is fascinating – part manufacturing business, part creative, part art, part commerce. TV brings all that stuff together in a way that is challenging and interesting.”

Jane Turton appointed new Chair of the Royal Television Society

Joining Jane Turton on the Board of Trustees is Anne Mensah, Vice-President of Content, Netflix, and Jane Millichip, Chief Commercial Officer Sky Studios.

Additionally, the RTS is awarding eight new Fellowships for 2019, recognising industry heavyweights who have made an outstanding and exceptional contribution to the industry.

Jane Turton’s TV diary

The temperature in London has plummeted to a 10-year low and the snow has arrived. Our top-floor o­ffice in Covent Garden has the most amazing views over Westminster and all the way round to the Gherkin and the Shard. It’s very beautiful in the snow.

To add to the chaos created by the weather, Prithi, my assistant, is in Costa Rica on a two-week holiday.

I start the week with a conference call to our German supervisory board. Germany is a strong growth market for All3, where we produce scripted reality, drama and entertainment shows.

Jane Turton: We can do bigger, better, challenging things

There was a great deal of quiet satisfaction across the British production sector when Jane Turton was named Chief Executive of All3Media back in February. The steely, 53-year-old Scot had triumphed over external candidates following a five-month, global search by its new US owners, hard-driving Discovery Communications and Liberty Global, who paid around £550m for this important producer.