RTS Northern Ireland

Discussing the BBC’s Across the UK strategy – which seeks to shift creative spend and decision-making out of London – the BBC’s Chief Content Officer praised Blue Lights and Once Upon a Time in Northern Ireland.

Moore said: “What both Blue Lights and Once Upon a Time in Northern Ireland demonstrate so brilliantly, is that thinking bigger about how we harness and showcase the creativity of the whole of the UK is paying huge dividends – for us and for audiences.”

Ulster University, Belfast, student Aidan Rafferty was a double winner at the RTS Northern Ireland Student Television Awards. He was part of the team that won the Comedy and Entertainment award for Real Lads of Lockdown – and the writer/director also took home the Craft Skills: Writing prize.

The judges said the film “wasn’t afraid to touch on the more serious aspects of the pandemic, while providing lots of laugh-out-loud moments – a great balance of comedy and pathos”.

Talking to students at Belfast Metropolitan College, Diaz said: “Because we live in a very visual world, design has a key [role] in delivering our content... [and] attracting the attention of our audience.

We can also communicate our content through social media... in a visual way.”

Diaz, a native of Spain, has worked in the UK for the past decade. Good design, he said, should be “integrated in the content.... If nobody notices the design, it’s a good thing.”

Ulster University Belfast picked up the Animation Award for The Forlorn Piscator by Matthew McGuigan. A highly commended award also went to Antisocial Behaviour by Lyndsay Clarke and Phillip Steele from the Northern Regional College, Coleraine.

The Non-Scripted Award winner was The Rising of Jordan Adetunji by Joe Warden, Nathan Emery and Reece Williams from Ulster University. Isolation - Overcoming Adversity as a Community by Aodhan Roberts from the North West Regional College was highly commended in this category.

Making successful factual TV drama is fraught with difficulties. The stakes are even higher when programme-makers tackle real-life events – and no more so when they are as recent and raw as the ones depicted in the summer hit BBC One’s three-parter The Salisbury Poisonings.

Little on TV cheers up audiences more than seeing animals brought back to health, so Waddell Media’s new series Work on the Wild Side is coming to screens at just the right time.

The 20 one-hour shows will be stripped across the daytime week on Channel 4 from mid-May. They follow vets and volunteers who have given up their jobs in the UK and moved to South Africa to rescue animals, and reintroduce them to the wild.

“It’s hard to believe it’s just five years since we announced our first Northern Ireland Programme Awards, which were set up to recognise the amazing content being produced in Northern Ireland,” said RTS Northern Ireland Chair Kieran Doherty.

The first event, “Sketchy business: making it in animation”, brought together a panel hosted by the university’s Dr Helen Haswell and featured three experts from Belfast animation house JAM Media: visual effects supervisor and director Niall Mooney; animator Jessica Patterson; and animation director Simon Kelleghan. They discussed how to get your foot in the door, as well as giving practical advice, including how best to structure a show reel.

Supervising art director Paul Ghirardani – who brought one of his Emmy Awards with him – was joined by artist Daniel Blackmore and draughtsman Owen Black at the session, which was jointly hosted by Belfast Design Week.

The trio gave presentations about their roles in the art department, before the session host, Film Hub NI project manager Hugh Odling-Smee, led a panel discussion and Q&A with the 80-strong audience.

Belfast’s Titanic Studios has been the main studio and post-production facility for all eight series of Game of Thrones.