Getting that first job in TV is tough. So when you've finally got it, how do you make sure you not only keep it, but progress to the next level? Jessica Wilson is a talent executive at Potato, part of ITV studios. Following a degree she worked her way up from researcher to series producer at the BBC and has a brilliant view on the industry. Here she shares her top tips on impressing in an entry level position.
In television, ideas are like currency. So when you have a great idea, how do you make sure it gets noticed by the right people? And how do you make sure you end up getting the credit for it?
Carrie Britton has over twelve years experience as an Executive and Series producer in Factual and Documentaries. Having previously worked as a talent manager for the BBC and managing director of Indie Training Fund, she now freelances for independents and has cast and produced many expert presenters. Here she shares her tips on how to pitch and protect an idea.
No matter who you are, rejection is an inevitable part of working in the TV industry. So whether you're applying for jobs or pitching ideas, learning how to deal with rejection positively is a key part of success. In this video, Grace Owen talks you through some of her top tips for taking rejection on the chin.
Grace is the founder of the hugely popular Telly Talk London networking events. Chosen as a Broadcast Hotshot in 2014, Grace now freelances as a researcher an event coordinator as well as sitting on the RTS Futures Committee.
There are so many different TV genres out there, yet it's easy to get pigeonholed into one specialism. So what should you do if you decide you want to try a new genre or pursue your dream of working in drama when you've worked mostly in factual? Emily Gale, Head of Talent at FremantleMedia UK, offers quick-fire advice on how to successfully move between genres.
As one of the most recognised TV brands in the world, jobs in the BBC are some of the most coveted in the TV industry. Thousands apply for its production entry schemes each year, which have limited places available. Understandably therefore, the application process is tough so allow Don Kong, the BBC's Production Talent Pool manager, explain how to shine on paper.
One of the best ways to stand out from the competition and land a job in the television industry is being able to self shoot. The ability to point and shoot refers to the most basic skills needed for filming and it's generally understood that you can compose, frame and film a basic shot, such as for an interview. Learn the basic tips of this valuable skill in 60 seconds, as explained by Ollie, from Pro Motion.
Part of the battle of entering the television industry is getting to grips with technical jargon. Here's a guide to self shooting language:
They say television is a small world. Who you know is often as important as what you know, so how do you get your foot in the door if you don’t know anyone who can leave it ajar? Channel 4 industry talent specialist, Priscilla Baffour, offers her tips on breaking into TV without the contacts.
BBC talent manager Elsa Sharp talks us through the basics of writing an effective CV in just 60 seconds.
To be successful in comedy you don't have to be established or know the industry well, you just need funny bones according to Sky's Head of Comedy, Lucy Lumsden. Here she gives her best tips on successfully pitching a comedy idea as always in just 60 seconds.
Set Design is a highly creative role in the television industry, and just as competitive. There are a number of ways you can make yourself stand out from the crowd though. In this video established set designer David Bevin shares his tips on getting your foot in the door.
