Television Magazine
Monthly Publication of the RTS
September 2022
Caitlin Danaher lauds the Lionesses’ success and assesses how television coverage of other women’s...
Two of the biggest shows of the year, House of the Dragon and The Rings of Power, provide much more...
Steve Clarke investigates how wildlife programme-makers are working to cut their carbon footprint.
RTS London Convention Chair Priya Dogra’s track record in billion-dollar deals gives her a unique...
Lindsey Hilsum explains why a foreign correspondent’s role can resemble that of a faithless lover.
ITV’s new thriller The Suspect, starring Aidan Turner, twists some of the genre’s conventions....
Barb’s improved audience measurement system shows the streamers are advancing with brilliant...
Agnes Cogan identifies a possible future Oscar winner as the Irish screen sector adds new...
Fiona McAllister works for Nicola Shindler’s new indie, Quay Street Productions, having learnt the...
With a Tory party leadership contest just the latest chapter in the UK’s seemingly endless...
Matthew Bell hums along to a gloriously funny reconstruction of the bad attitudes and fashions of...
Ahead of Ackley Bridge’s return to TV this summer, RTS Yorkshire brought together some of the show’...
The RTS lifts the lid on Stefan Golaszewski’s new series, Marriage, a bittersweet portrait of a...
Sky’s Jahreal Wright and Timeline TV’s Jonathan Chappell-Seetayah are the joint holders of the RTS...
The RTS hears why Peter Kosminsky’s cyber drama, The Undeclared War, is a warning to politicians to...
Malcolm Baird praises a history of the broadcaster’s formative years
RTS West of England offered a free editorial training workshop, given by Bafta’s Albert scheme, at...
BBC One ethics show Sunday Morning Live is a truly UK-wide affair, discovers Matthew Bell.
Why do channels find it so hard to say goodbye to a series? Matthew Bell has a few ideas
