Journalist Leah Borromeo was stirred to make her film, The Cotton Film: Dirty White Gold, after discovering that 300,000 cotton farmers in India have committed suicide since 1995 because of their crushing debts.
She cited the gut-wrenching statistic at an event hosted by the RTS on 26 November as part of The Hospital Club's "Sustainability Week".
Connected TV: Decoded panel (L-R): Chair Kate Bulkley, Dan Saunders, Emma Lloyd, Ilse Howling, Richard Halton, Stephen Taylor (Credit: Paul Hampartsoumian)
A new "golden age" of choice and experimentation for viewers is being ushered in by the rapid take-up of internet-connected TV sets in the home and the explosion of mobile devices on which users can find and watch programmes.
London Centre offered a review of IBC's weird and wonderful exhibits at the end of September. The annual media technologies conference and exhibition had welcomed more than 55,000 attendees to Amsterdam earlier in the month.
One of television’s most influential bureaucrats, Colin Shaw, has died, aged 85.
Colin Shaw has died, aged 85 (Credit: Paul Hampartsoumian)
Few of television’s senior bureaucrats have been as influential as Colin Shaw, who has died, aged 85.
A Fellow of the RTS and a regular attender of Society events, Shaw’s low-key, but incisive, wit helped negotiate the BBC out of many a tight spot in the 1960s and 1970s. He was latterly the corporation’s Chief Secretary.
When not emulating Ally, the Night Owl, Brigitte Trafford relishes any work day that includes a high-vis jacket and Swiss wine
I am a Leytonstone girl by birth. I share that provenance with David Beckham, and I have many happy memories in my teens of going to watch Trevor Brooking (look him up, if you’re under 40) at Upton Park.
It was a different football world, back then. No seats, for a start. And it did not seem that long ago since England lifted the World Cup with a West Ham player as captain.
Saurabh Kakkar recommends online pitching for those who want to get ahead in comedy. Steve Clarke takes notes.
Jane Austen, JK Rowling and Hilary Mantel would all have made the grade in TV. That's because they are all great storytellers. "If you are not terribly excited about all forms of storytelling, you've got no business being in television at all," stressed Saurabh Kakkar, Head of Comedy Development at Big Talk Productions, speaking at the opening RTS Student Programme Masterclass.
He added: "All storytelling is entertaining an audience... If you have a passion for it, the chances are that you have done something about it.
Andrew Mackenzie, the man behind Educating Yorkshire, explains why creatives need to be entrepreneurs, reports Matthew Bell
Andrew Mackenzie speaking to Katy Thoroggood (Credit: Paul Hampartsoumian)
Twofour Group has made some of the most critically acclaimed factual TV of recent years. One of its biggest shows has been Channel 4’s Educating Yorkshire. The company’s Chief Creative Officer, Andrew Mackenzie, is also no stranger to controversy, having commissioned My Big Fat Gypsy Wedding during his time at Channel 4.
Matthew Bell hears that working as a TV freelancer requires nerves of steel but the rewards can be lucrative
Making television can be a precarious occupation. Jobs are hard to land and rarely last longer than six months. Production staff are constantly looking for new positions and are often out of work. The creative rewards, though, can be immense for freelancers working in such a vibrant industry.
The latest RTS Futures event, "How to survive as a freelancer", assembled an expert group of talent managers and production staff to offer tips on networking, writing CVs, successful interviews and managing money.